Spectacle — Pamela Newkirk

Spectacle: The Astonishing Life of Ota Benga

Winner of the 2016 NAACP Image Award for Outstanding Literary Work (Non-Fiction)

Winner of the 2016 Hurston/Wright Legacy Award in Nonfiction

Named a Best Book of the Year by NPR, The Boston Globe, The San Francisco Chronicle and The Root

Pamela Newkirk's fourth book, Spectacle: The Astonishing Life of Ota Benga.Published: September 6, 2016 — Pamela Newkirk's fourth book, *Spectacle: The Astonishing Life of Ota Benga*.
Published: September 6, 2016

Praise for Spectacle

“Here is a gripping and painstaking narrative that breaks new ground. Now, after a century, Benga has finally been heard.” —New York Times Book Review

“What became of Benga is best left discovered by readers of this revelatory book. Suffice to say that the shock of it will haunt you. Newkirk’s dispassionate, powerfully understated writing lets her sorrowful account speak for itself.” — San Francisco Chronicle

“Newkirk’s account of this shocking and shameful story is forceful.” —The New Yorker

“Haunting and heartbreaking.” — Ebony

“[Ota Benga’s] story has been told before, but the journalist Pamela Newkirk fleshes it out with chilling human dimension and rich anthropological perspective in her engrossing new book, Spectacle.” — New York Times, Metro Section "Bookshelf" Review

“Newkirk’s investigation is a nuanced account of Benga’s relationship with Verner and Hornaday, a subtle look into what it meant for a colonized African to be free and how the pursuit of scientific knowledge played a role in racial subjection.” — Jezebel

“In this enthralling social history, Newkirk reveals the truth about Ota Benga, the people who exploited him and the heroes who fought vainly to save him.” — More Magazine

“This is an explosive, heartbreaking book. It unfolds with the grace of an E.L. Doctorow novel, and spins forward with the urgency of a wild tabloid story.” — James McBride, bestselling author of The Good Lord Bird

“A riveting account of one of the most startling episodes in the sorry history of race in America. Ms. Newkirk is a crisp storyteller as well as an experienced journalist whose investigative skills bring alive both her cast of characters and the age in which they lived.” — Wall Street Journal

“With her meticulously researched account, Newkirk rights the record, offering a profoundly unsettling look at the racism deeply rooted in even the city’s (and the nation’s) progressive institutions at the start of the 20th century.” — NYU Stories (Online)

Newkirk reveals a little-known and shameful episode in American history, when an African man was used as a human zoo exhibit—a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century in the tradition of The Immortal Life of Henrietta Lacks, Devil in the White City, and Medical Apartheid.

In 1904, Ota Benga, a young Congolese “pygmy”—a person of petite stature—arrived from central Africa and was featured in an anthropology exhibit at the St. Louis World’s Fair. Two years later, the New York Zoological Gardens displayed him in its Monkey House, caging the slight 103-pound, 4-foot 11-inch tall man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe.

Spectacle explores the circumstances of Ota Benga’s captivity, the international controversy it inspired, and his efforts to adjust to American life. It also reveals why, decades later, the man most responsible for his exploitation would be hailed as his friend and savior, while those who truly fought for Ota have been banished to the shadows of history. Using primary historical documents, Pamela Newkirk traces Ota’s tragic life, from Africa to St. Louis to New York, and finally to Lynchburg, Virginia, where he lived out the remainder of his short life.

Illuminating this unimaginable event, Spectacle charts the evolution of science and race relations in New York City during the early years of the twentieth century, exploring this racially fraught era for Africa-Americans and the rising tide of political disenfranchisement and social scorn they endured, forty years after the end of the Civil War. Shocking and compelling Spectacle is a masterful work of social history that raises difficult questions about racial prejudice and discrimination that continue to haunt us today.